Melbourne is just wonderful, and in our opinion, the most beautiful city in Australia. Today we caught the train into the city, emerged at the Flinders Station out into the sunshine and the hustle and bustle of this very cosmopolitan centre. We walked across the bridge spanning the Yarra River, pausing to admire the skyline and the upside down river, as we have before. We fought the crowds gathering for a show or happening in the art centre, hundreds of well-dressed cauliflower heads, and walked on up past the art gallery and on up St Kilda Road past Kings Park, until we reached the Shrine of Remembrance, gleaming in the sunshine on the hill.
We had already
ascertained that Victoria’s school children had started their school holidays
this week, and so the normal tourists to this popular attraction were swollen
with junior members of the state. The war memorial complex is quite lovely and
of course the views from the top of the city are just marvellous, although
nothing like those from the top of the Eureka Tower. But today we were not
there for the views; we had come to see the exhibition titled “The Enemy Within” all about the
prisoners of war and civilian internees kept behind barbed wire during the
Second World War here in Australia. Between 1939 and 1947 rural Victoria hosted
eight internment and prisoner of war camps of the network of about double that
number across the entire country. By 1947, almost 26,000 prisoners of war and
15,000 internees had experienced the camp system, all known as the “enemy” or
“enemy aliens”.
Of course we have had a
glimpse into this side of Australia’s history on our travels about the country,
however today I learned more about the repatriation of those internees at the
end of the war, how some of Japanese heritage, for instance, were forcibly,
repatriated to Japan, a country they had never known, how some who had taken
Australian nationality were sent back to the country they had originally come
from, their Australian citizenship stripped from them.
Shrine of Remembrance |
We stopped by the
National Gallery of Victoria, the one with the front entrance a wall of
cascading water set in from pools and fountains. After checking in our bags, we
could not help but note the wonderful “artworks” in Federation Court, around
which a couple of dozen visitors sat entranced.
The work is titled “Clinamen 2013” and is a great collection
of four different sized white porcelain flat bottom bowls floating upon an
intensely blue pool. A concealed pump arrangement causes the bowls to gently circulate
the pool, making their own course, gently bumping into each other, gently
clinking like wind chimes before they “bounce” away to make their way around
again. The effect is mesmerizing, for old and young, and indeed for us. The artist
responsible for this rather unusual installation is French artiste Celeste Boursier-Mougenot
who apparently specialises in large scale work that combines the visual with
the aural.
We were drawn away by
an announcement over the PR system offering a free tour in five minutes. We love free tours and have
enjoyed many through the nation’s art galleries, so of course we lined up with
the four others. This was not to be a tour of the collection as we have enjoyed
before, but a focus tour, and today, focused on the Chinese collection,
something we had not really focused on ourselves. Now we were to be educated!
And so we traipsed around the Asian floor stopping in front of beautiful pieces
and being lectured by a well-meaning woman who umm’d and ahh’d, and used “sort
of” and “somewhat” far too often and alas, was unable to convey her own passion
and knowledge to us, the uneducated. We became more aware of our aching backs
than absorbing the dynastic history of China, and were glad to be set free
after three quarters of an hour, rather than slink away part way through the
session as one woman did.
We spent some time on
an upper floor revisiting beautiful paintings high on the gallery walls until
we decided a soft-serve ice-cream from the Scottish Restaurant at the bottom on
Swanson Street seemed more attractive.
Our train journey back
to Sunshine was more enjoyable that this morning’s commute when we had to stand
all the way; Melbournian youth are oblivious to the fact that more senior
people prefer to sit than clutch vertical poles in railway carriages to remain
upright.
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